![]() (Some images display only as thumbnails outside If an image is displaying, you can download it yourself. LC-DIG-ggbain-21452 (digital file from original negative) ![]() For more information, see George Grantham Bain Collection - Rights and Restrictions Information Ultimately, it is the researcher's obligation to assess copyright or other use restrictions and obtain permission from third parties when necessary before publishing or otherwise distributing materials found in the Library's collections.įor information about reproducing, publishing, and citing material from this collection, as well as access to the original items, see: George Grantham Bain Collection - Rights and Restrictions Information Therefore, it does not license or charge permission fees for use of such material and cannot grant or deny permission to publish or otherwise distribute the material. The Library of Congress does not own rights to material in its collections. LC-DIG-ggbain-21452 (digital file from original negative).Library of Congress Prints and Photographs Division Washington, D.C. Bain News Service photograph collection.General information about the George Grantham Bain Collection is available at ġ negative : glass 5 x 7 in. Title from data provided by the Bain News Service on the negative.ĭate based on photographs of Rubinstein taken during the same period.įorms part of: George Grantham Bain Collection (Library of Congress). Photograph shows Anton Grigorevich Rubinstein, Russian pianist and composer who founded the Saint Petersburg Conservatory.Readers also gain an introduction to individual Russian texts through Rubenstein's eyes as she trains her gaze on these texts as if looking over Woolf's shoulder." - Ruth O. "Virginia Woolf and the Russian Point of View is distinguished by its clarity, elegance of prose, lack of jargon, and careful analysis of possible Russian influence on Woolf's fiction. What a valuable contribution to Woolf studies!" - Beth Rigel Daugherty, Otterbein College and co-editor of Approaches to Teaching Woolf's To the Lighthouse Thorough consideration of cultural forces, close readings of numerous texts both British and Russian, and meticulous research inform this clearly written argument, and as a bonus, Rubenstein invites us into Woolf's workshop by providing well-footnoted transcriptions of all the available reading notes, drafts, and typescripts on the Russians in the archives. "In this much needed study of the 'imaginative residue of the Russian writers' in Virginia Woolf's thought and work, Rubenstein convincingly shows how reading and re-reading Dostoevsky, Tolstoy, Chekhov, and Turgenev at crucial times in her career affected Woolf's development and evolution as a modernist. Gilbert, Distinguished Professor Emerita, University of California, Davis ![]() The book will be welcomed not only by Woolf scholars but, more generally, by students and theorists of modernism and narrative." - Sandra M. "A scrupulous and illuminating exploration of Virginia Woolf's long and deep engagement with early-twentieth-century 'Russophilia,' Rubenstein's new study examines the impact of such major figures as Dostoyevsky, Tolstoy, Chekhov, and Turgenev on both Woolf's critical theory and her aesthetic practice. "Rubenstein's readings and the discussions are never other than subtle, perceptive, and persuasive." - Virginia Woolf Bulletin What a delight then to come at last upon Roberta Rubenstein's Virginia Woolf and the Russian Point of View." - Woolf Studies Annual "Rare are the scholarly studies that combine timeliness, impressive originality, and acutely precise and detailed analysis with a gently reassuring sense that we are not so much engaged in 'criticism' as being invited to read over a writer's shoulder and catch the very passions and wonder that they might have felt as they read. ![]()
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